Sunday, November 8, 2020

Tennessee to Missouri #2: Maria Rodgers Martin

 

Maria Jane Rodgers Martin (1831-1922)
By the fringe of bangs and dress style we might
guess this photo was taken about 1870 when Maria
was in her late thirties.

We looked at the stuffed work quilts in the collection of Wayside Rest in Cass County, Missouri, at least one of which has been attributed to Maria Jane Rodgers Martin, a woman enslaved first in Tennessee, brought to Missouri and then to Lawrence, Kansas during the Civil War.

Family who passed on the quilts also passed on the
story that Maria stitched this one.

See the post here:
https://quilthistorysouth.blogspot.com/2020/11/tennessee-to-missouri-1-regional-style.html

Here is another snapshot of Maria in Lawrence from the 1900 census when she was 68 years old.

In June she is listed as widowed, renting a house, and apparently living alone in an integrated neighborhood. Like many former slaves she'd never learned to read or write. She had given birth to eight children but only three were living at the time. She was born in April, 1832 and knew her father was born in Tennessee and her mother in Virginia. 

The 1865 state census found two similar Maria Martins in Lawrence. One, listed as 38, is doing somewhat better than the other: A few months after the end of the Civil War, she is heading her own household with three children Minerva, Henry and Elmore. They are the only people of color in their immediate neighborhood. This Maria supports them with "Washing & Ironing" and she has assets worth $25.


The other Maria Martin at 35 also does Washing & Ironing, but she lives in a mostly Black neighborhood and is listed as a Pauper. Her three children are Elmira, Charles and Benjamin ages 14 to 4. 


The second, very poor Maria looks like the woman we are searching for. Her son Benjamin (1859-1886), born in Missouri, grew up to be a blacksmith back in Harrisonville where he and Maria are buried in the Brown family cemetery at Wayside Rest. Of course, these may be the same woman, living one place when the census taker called one day and in another later the same month. 

Maria Rodgers Martin lived to be 91, dying in 1922.
See her grave:
https://www.findagrave.com/memorial/maria-jane-martin

Maria was born in slavery in Tennessee in 1831 or 1832 to people owned by William Gillenwaters, a prosperous farmer in Rhea County. In 1842 Gillenwaters bought land in Missouri and moved his family and enslaved workers west. The family included wife Elizabeth Roddye Gillenwaters, their only (?) child Mary Roddye Gillenwaters Brown, her husband Robert Allison Brown and their three children. Family history recalled that "thirty-odd servants" came to Missouri.

Allison Fasching, a Gillenwaters descendant, cites Robert Brown III's family story of the trip by river ending at the Missouri River port of Lexington, Missouri, followed by an overland trip "over 'considerable' parts of western Missouri" in fall, 1842 when Maria was about 10 or 11.
 
Names were not listed.

Twelve years later the 1850 census counted 33 slaves on the Gillenwaters/Brown farm, most were young---only one woman was older than 40. Thirteen were old enough to have come from Tennessee. Most were men; only one female might have been Maria, a 19 year old "M" for mulatto, reflecting her fair color.

Cass County library photo of the house in the 1880s

In 1850 only three enslaved women 42, 35 and 19, lived at Wayside Rest. The young men probably worked the mills and the farms that grew hemp for rope.

Recent photo of Wayside Rest house by William Fischer, Jr.

The farm eventually encompassed 2,300 acres and a substantial brick house that still stands. A steam saw and grist mill supplied lumber and food for the farm and neighbors.

Forty years ago when the site was placed on the
National Register of Historic Places the remains
of some slave housing were photographed.

Restored today. 
Did Maria live out on the grounds or in the main
house where she is said to have been in charge of the
Brown children?

Although period documents refer to William Gillenwaters
as plantation head, slave holder, etc. he has been edited out of 
family stories. He died in Texas in 1865 just after the war was over.
Wife Elizabeth had died in 1851 at Wayside Rest.

Maria's Civil War story as generally told indicates she went to Lawrence, Kansas with her children in January or February, 1862 after being freed by Kansas soldiers under the command of Colonel Charles R. Jennison. 

Charles Jennison (1834-1884) was an official Union 
soldier for 7 months during the early years of the 
Civil War, mustered out in May, 1862

I found no stories of people leaving Missouri with Union troops in February but a few weeks earlier in January, 1862 newspapers all over the world printed accounts of  “Jennison’s Jayhawkers,” as the 7th Kansas Cavalry was known, freeing Missourians in the areas west of Kansas City.


"In Jackson and Cass counties...70 farm houses...have been destroyed," according to an article in a London, England newspapers. The flurry of January newsprint about Jennison can only be attributable to a skillful publicist (Jennison himself?) Jennison's erratic behavior was displeasing his superiors and one might wonder if he decided to fight disapproval with public opinion praising his raids.

In February, 1862 Jennison's troops had been in Humboldt, Kansas, for a month according to Lt. Colonel Daniel Anthony's letters to his family including sister Susan B. Anthony. Jennison wasn't well. In May, "We have had blustering times. Jennison resigned." He was reinstated, but not for long. The Seventh went east to Kentucky without him. Later in the war he led another Union regiment but was court-martialed for war crimes and dishonorably discharged. After the war he became a politician representing Leavenworth.


Lt. Snoddy, under Jennison, brought forty slaves into Lawrence in January, possibly the group that Maria traveled with.

A piece from an anonymous correspondent in a Brooklyn, New York paper in January, 1862 tells us Jennison was supposedly giving $25 to refugees while cotton prints were selling for 15 to 17 cents in Lawrence. One hundred thirty scholars were said to be attending a special school for freed people.

Lawrence, rebuilt after the Civil War. 
As usual, no parking spots on Mass St., too many cows.

Once in Lawrence, Maria is reported to have been employed as Jennison's laundry worker but the never-married Jennison lived in Leavenworth when he wasn't in the field. Another possible employer was General James Lane, who did live in Lawrence with wife Mary and his family.

Mary Baldridge Lane (1826-1883) by the Brady Studios

 Perhaps Maria and Mary Baldridge Lane were acquainted.

The Kansas "Jayhawkers" swept through Cass County several times. Harrisonville is only 20 miles or so from the state line.

Elizabeth Gillenwaters Brown, a 14-year-old living at Wayside Rest, recalled seeing smoke from a skirmish north of Harrisonville as she stood on the balcony in front of the house in July, 1861. The ease with which the Kansans rode into the area probably motivated the Gillenwaters and Brown to remove their greatest wealth, the African-American people, south to Texas. Apparently Lizzie's grandfather William Gillenwalters and her brother John took them to the Dallas, Texas area, where John was killed in an accident in 1864. William never returned either and died there soon after the war.

Was Maria's husband Fred Martin taken to Texas? She and her children remained.

Elizabeth Gillenwaters Brown married Henry Clay Daniel in 1868

Lizzie remembered another encounter with Jennison's troops in December, 1861, while Maria was still at Wayside Rest.
"Every day some of the [Kansas] men came to the house to take whatever they pleased from the outbuildings. On Christmas day, just about mealtime, three men rode up and father gave them, as usual, a cordial invite to dine. They raved over the dinner and wondered why there was so much silver. The Lieutenant said some of the boys were hard and might take it, but father said, 'No, the boys are in and out all the time and are well behaved.' They left late and headed toward town.

"At about midnight, there was a heavy knock on the door. Mother answered while father dressed and got his pistol, for he had begun to smell a mouse. The caller said through the door that he was a friend and asked to see Mr. Brown. Father turned to mother and said, 'Go ring the bell' and that frightened them so the men turned to go. Father watched through the sidelight then one of the men fired hitting the right side of the door." 
[Bullet hole remains today beside the front door.]
The elder Robert Allison Brown years after the war.
The family stories tell us the house was raided 11 times during the war.

Collection of Wayside Rest
Robert Allison Brown II (1844-1928) with wife Kentucky-born
Mary Agnes Stephens Brown (1850-1932)
 and five of their nine children, about 1897.
The youngest on her rocking horse is Agnes Nelson Brown
 Hamilton (1895-1982) who lived here all her life.

Collection of the Kansas State Historical Society

Living in Lawrence, Maria lived through a retaliatory raid in 1863 when Missourians under William Quantrill executed nearly 200 men. An 1891 list of survivors includes Maria Martin & Henry Martin (#8 & 37.) This Maria may have been the slightly older Maria---or maybe there was only one.

See Daniel Anthony's letters from Kansas to his family including Susan B.


One other thing:
I had in my files of women's dress style this woman from an unknown source---Doesn't she look exactly like Maria? Maybe a few years younger.


One face laid atop the other.
I have no idea where I found the photo and a Google Image
search only finds me as a source.

Next Post: Did Maria make that quilt?

Allison Fasching's post on her family history:

Monday, November 2, 2020

Tennessee to Missouri #1: Regional Style

 

Stuffed-work quilting in a feathered star quilt
attributed to an enslaved seamstress named Maria Rogers Martin (1831-1922)
 in Cass County, Missouri.

The story of this quilt and another attributed to her is remarkable. Maria was one of about 50 slaves at a plantation in western Missouri named Wayside Rest owned by Robert & Mary Roddye Gillenwaters Brown. In 1862 Union troops from Kansas raided Harrisonville and brought Maria and others (was Maria a willing escapee or abducted?) to the free-state capitol of Lawrence. She is said to have worked as a servant in the homes of Jayhawk leaders James H. Lane and Charles Jennison, only returning to Missouri in 1900.

We are going to look at the quilts and Maria's story, beginning with the quilts.

Feathered Star quilt

The quilts attributed to Maria are discussed in Stories in the Stitches: Quilts from the Cass County Quilt Documentation Project by Jenifer Dick, Carol Bohl, Janice Britz and Linda Hammontree.


 The Cass County Library has an exhibit panel on her story and in Lawrence, Kansas, where she lived much of her life, she has been the subject of Marla Jackson's research in her quilt classes.

The second quilt is not as easy to study from the photo.

Pattern looks like a relatively common variation of
the pieced reel or oak leaf design---it may
be pieced and appliqued.


The pair have much in common and may be the work of one woman (or one team of women.)
Each is pieced in a rather sophisticated design requiring needlework skills. Each is edged with a fringe, a technique that fell out of fashion after the Civil War. Each looks to be pieced of indigo blue prints with a Turkey red (possibly faded to pink) or a pink print. Plain white alternate blocks show off the quilting.

The quilting---also remarkable---is
stuffed with extra cotton behind in a floral basket design
(called trapunto today.)

The look is unusual but familiar to Tennessee quilt historian Merikay Waldvogel who immediately wondered if the quiltmaker did not have a connection to Rhea County, Tennessee where many stuffed quilts in this style survive. (Pronounced Ray County)

Similar quilt attributed to Victoria Darwin Caldwell (1839-1919)
Rhea County, Tennessee, on display at the Tennessee State Museum
last year.

Mary Roddye Gillenwaters Brown and her parents came to Missouri from Rhea County, Tennessee. Her father, born in Spartanburg, South Carolina, had long been a Rhea County resident where he was a county commissioner in the 1830s.

Rhea County's 1840 census lists 4 "Free White Persons" in William T. Gillenwaters's family,
 parents and two adolescents; daughter Mary is the young female. Who the young man was remains
a mystery as Mary seems to have been their only child.

The Missouri quilts are so much like quilts found in Rhea County that the stylistic link between them is not in doubt. The Cass County feathered star with its zig-zag pieced border and fringe has close relatives in the Tennessee quilts listed in the Quilt Index.



Similar to the feathered stars above is one by Adelia Darwin Gillespie that does not have a fringe
but has the same zig-zag border and alternate stuffed work blocks featuring a floral basket.

The Oak Leaf has at least one Tennessee twin, this one attributed again to 
Victoria Darwin Caldwell.



From the Quilts of Tennessee book by Bets Ramsey & Merikay Waldvogel: 
"The survey team saw a few elaborately stuffed quilts on earlier quilt days. After documenting sixty-six quilts in Dayton [Rhea County]....and finding twenty of them to be stuffed, we declared Rhea County to be the stuffing capital of Tennessee."[if not the world.]
Dayton is the county seat; Spring City the next largest
community

In 1850 Rhea County had about 4,400 inhabitants, a rather stable number. Ten years later there were 4,377 white people and 615 slaves. In such a small community one would imagine that many of the quiltmakers were related, with names like Roddy and Darwin recurring.

Next post: The quiltmakers.

Monday, August 3, 2020

Mud-Dyed Fabric in Southern Quilts


The Texas book Lone Stars: A Legacy of Texas Quilts shows this Whig's Defeat attributed to Gail C. (Gatsey) Worden of Georgia who moved to Grayson County, Texas about 1855. The family thought it might have been made in Georgia before that date but style, pattern and fabrics all indicate it's a Texas quilt made after 1880. They also believed the "unusual solid rosy beige fabric" to have been dyed with Georgia's famous red mud.

QuiltIndex link: http://www.quiltindex.org/fulldisplay.php?kid=4F-88-CB

Benita Creek runs through Nacogdoches, Texas
Gatsey from Georgia must have felt right at home in the landscape.

The discussion for this quilt in the book on page 42 is perhaps the best print summary of mud-dyeing in Southern quilts. They quote an interview with a woman in Nacogdoches who recalled "as a little girl going to a river near the old city to the 'community dye-hole' and dyeing fabrics there. The method most frequently used was to bury fabric in the moist red mud until it was the desired shade. According to her, the longer the fabric was left, the redder it got, and all shades of red could be obtained...."


Zilpah Frisbie of Marion, McDowell County, North Carolina told an interviewer gathering North Carolina folk practices for the Frank C. Brown Collection in the 1912-1943 years that "pure red clay and water" made a fast color.

(Zilpah was an editor at the Marion newspaper in the 1920s---she must
have known everything that went on in McDowell County.)

In a 1996 book Carolina Piedmont Country John M. Coggeshall records mud dying of  "extra white cloth that mills sometimes distributed to village residents." A few people in the Facebook group had heard similar stories, particularly in regard to quilt linings or backings, inexpensive fabric or recycled flour or fertilizer sacks that were colored with the local dirt.

For her book Tennessee Delta Quiltmaking, Teri Klassen interviewed Jean Bolding (1932-) of southwest Tennessee who described:
"how her mother used the red clay of North Mississippi to dye fertilizer sacks for quilt backings: 'She would dig a hole outside the house on the hillside. She would pour the water in... She would take the fertilizer sacks... and she'd put it in this red clay, kept water on it, and I presumed it stayed about a week. And she'd turn it every day or two, make sure the color was going to be even all through the material..., and the hole was about like this, about the size of a washtub, and she kept adding water to it to make sure that it'd stay moist all the time.' " Page 45.

Georgia soil, red dirt

Many readers had stories of accidental dyeing with the local red dirt on kid's baseball pants, socks and t-shirts. Anyone who has lived in a region with iron-high soil from Australia to Argentina to Oklahoma has had experience with the permanence of the stain.

Marybeth Thomas Tawfik: "I know personally that the Georgia clay does NOT wash out, at least not on things you weren't meaning to dye."

Claire Bear at Uluru (Ayre's Rock) in Australia

Suzanne Louth "grew up in North Texas, living on a farm between Dallas and Ft.Worth. Dallas has black, fertile soil, Ft.W. had red dirt...we lived closer to Ft.W!!! I am still no lover of 'ochre' in anything! We were loosely known as 'rednecks' and I also, despise that term to this day. (I got to bathe in red water, wear clothes washed in red water, and swim at a lake, full of red water.)"

Trish Gau from Argentina: "It is similar to our Misiones, province in the NE of Argentina. Very red soil. Very fertile." 

The red dirt in the U.S. tends not to be fertile (see Joy's comment questioning this), one reason why it is associated with poor farmers---red necks rather than blue bloods.

The Michigan project saw this mid-20th century quilt 
with a reported mud-dyed backing (no photos though of
the back of the quilt.)

Mud with the right combination of chemicals can indeed color fabric. African textile dyers who know the chemistry have printed mud-dyed cloth for generations. 

Women in Mali stencil Bògòlanfini (Mud Cloth), 
combining a vegetable dye with a mineral dye (leaves & mud)
 in a resist dyeing process.
 Not at all what we are talking about here.


South Koreans mud-dye cotton in a technique similar to U.S. Southerners. Barb Eikmeier spent her time there collecting lovely examples of traditional cloth. She was told these were mud dyed. The shades of pinkish-orange and a reddish-brown seem typical of what we would see in the U.S.  If you come across a quilt backing in these characteristic shades---it's a possibility.

Questions raised:
How colorfast is this fabric? Coloring is easy---color fastness is not. Perhaps the iron in the soil not only colors the fabric but mordants it too. My white socks colored while camping in Oklahoma did not have red stains, they had nondescript brown stains. Just looked like dirt (which of course it was.)

Which brings up the point that Kathy Moore made:
"The red in the soil...comes from ferrous oxide. That's iron in layman's terms. We know how caustic iron is to textile fibers. Shouldn't we see more deterioration in this very old fabric?"
Do we have to worry about the reds in the characteristic shade is patchwork quilts? In Clues in the Calico, written about 40 years ago, I say: "Plain terra cotta cottons in quilts from South Carolina to the Southwest may have been mud dyed." Scratch that out in your copy. After looking at a lot more quilts since then I don't think we see mud-dyed cottons in the patchwork but as we have learned there are memories and accounts of mud-dyed backings.

Back to Gatsey Worden's Texas quilt:


Note that red spot in the center orange. I bet those
shapes were red when she pieced it but it's
faded just the way Congo red synthetic dyes after 1880 did.
We can imagine why the family believed the diamonds were mud-dyed.

I'd guess patchwork pieces described as dyed with red clay are often variations of that very unstable Congo Red.
See our post on Congo Red and how it fades here: https://quilthistorysouth.blogspot.com/2020/04/congo-red-april-fools.html

How-to's on mud dyeing:

https://plymagazine.com/2019/12/dyeing-cloth-with-mud/?

Wednesday, July 8, 2020

Louisiana Quilts Part 2

Cammie G Henry collection at Northwestern State University in Louisiana
Louisiana woman airing a quilt outside a log cabin, 20th century photo (?)
The house looks much like the "African House" at Melrose Plantation historic site
owned by Cammie Henry. 

The woman in the photograph might have been 
Clementine Hunter (1887-1988), artist-in-residence there, 
who made many quilts but was most famous for her paintings.

Louisiana may suffer as Pennsylvania does with such an abundance of quilts, cultures and quiltmaking traditions that it's difficult to summarize the state's quiltmaking history. Nobody has tried to write a comprehensive book on the topic.

Strip quilt, Cloaner Smith of Lisbon, Claiborne Parish
Louisiana Folklife Program

Louisiana folklorists have conducted projects, most notably the Louisiana Folklife Program's wide-ranging quilt documentation conducted by Susan Roach-Lankford.

Scroll down to read about it.

Friendship quilt signed by 42 women, family date: 1893,
 Shongaloo in Claiborne County up by Arkansas---the Ark-La-Tex region.
From the quilt project.

Dale Drake who did quilt research in the state noted "the Louisiana documentation project covered the northern (American) half of the state plus the southeast edge - New Orleans." Her own research in the Southern region was published in Uncoverings 2017, "Louisiana Acadian Cotonnade Quilts: Preserving the Weaving Heritage of a People."

Cotonnade Quilt
"The cotonnade quilts I researched did not predate around 1890, as a guess, but quilts ARE mentioned in probate records. It's a great research project for someone who lives closer than Indiana."


The Louisiana project photographed four quilts made by Marie DuBois, born 1916, Jackson Parish in northern Louisiana.

Marie's quilts: classic Southern quilts from the 1880-1930 period.

Gaye Ingram, who lives in the area has been our resource on Louisiana culture. She commented on the settlement patterns and likelihood to cross state lines there. 
"This area has a fair number of quilts that came from East Texas. Oil and gas industry and large timber operations created some booms that drew people. I know one quilt that went to TX German settlements from North Carolina, then to Webster-Claiborne parish in North LA (near Minden, a German commune settle originally)."
Why so few quilts before 1870?
"You have to have people before they can make quilts. And the northern part of the state settled late and is still far behind population of Southern part."

Squash Blossom
In 1949 Maude Reid of Lake Charles showed some of her
quilts to a photographer.
Lake Charles is in southern Louisiana.



1930s description of quilting patterns remembered from the 1890s,
Bogalusa, north of New Orleans along the 
Mississippi River in Washington County



Satin wholecloth quilt purchased from Mrs. Hyde of Crowley, Louisiana
for a 1936 wedding. Mrs. Hyde was 
"an early widow, made quilts as a way to add income."

Waldvogel Collection, Quilt Index

I bet this is Celia Pardue Hyde (1881-1972) of Crowley, who won a regional prize with her "Louisiana Rose" quilt at the 1933 World's Fair Quilt Contest sponsored by Sears, Roebuck & Company. Crowley is in Acadia Parish between Lafayette and Lake Charles. Based on her name we can guess Cecelia Pardue may have enjoyed a little Acadian heritage.

Our Facebook group has been a great resource for information about Louisiana culture and quilts.

Matt Macomber posted a picture of a terrific
top he found in Shreveport (1950s-'60s?)

Bill Volckening bought this one from a Louisiana source on ebay,
polyester double-knits with black rick-rack covering the seam lines.
It's 112" x 120". 

Gaye posted her Seven Sisters with classic
fan quilting from that area. Seven stars in a circle seems to be a 
Southern regionalism.


Alden O'Brien and Gaye discussed this quilt in the collection of the D.A.R. Museum, attributed to Mrs. Hornsby of Louisiana. Alden found quite a bit about Almira Crossgrove Hornsby (?-1918) who is found in censuses in Concordia Parish, Louisiana and in Mississippi. Was it a Louisiana quilt or a Mississippi quilt?

Gaye had some insight:
"Concordia Parish is across the river from Natchez. A number of planter families lived in 'town' houses in Natchez, which sits high on a bluff and was relatively healthier in Yellow Fever season, and had their growing fields/plantations across the river in the low lands of Concordia and nearby parishes. The name of one such area house---"Propinquity"---sez it all. Natchez was/is 'town' for both sides of the river."
So the Hornsbys probably moved seasonally from state to state showing us why state lines do not define culture. 

As Alden wrote:
"Ahhhh thank you, see, this is why it's so great to get nationally diverse people thinking together and sharing! I would not have that local info."
Gaye spent some time giving us an overview of Louisiana settlement. Since patterns of culture are so important to quilt history we'll give you her thoughts in full:

"Southwest Louisiana (the original Acadian settlement) was French-speaking into the the early 1950's. It was commonplace to be in a store and hear a conversation between a daughter who spoke both English and French and her mother, who spoke only French. Large parts of that culture were isolated and traditional even then. Dale Drake's research documents the cotonade quilts from that section.

Louisiana's historical settlement pattern was not what one often sees---an even sort of spread from a central commercial area. The early French settlements occurred in New Orleans area and along the Ms and Red Rivers. Military posts were located early in the French period at Alexandria (Rapides Post) and Natchitoches (Natchitoches Post), establishing an avenue of French and later Spanish culture.
1810

But most of the Anglo part of the state was settled only after the close of the Revolutionary War, with the opening of the Mississippi Territory, which included present-day Alabama. The southern part of that area had been held or contended by Spain. The Treaty of San Lorenzo (1795) recognized the 31st parallel as the boundary between Spanish Florida and the United States. It opened the way for American settlement north of that line after years of disagreement. It was not until 1798, however, that Spain actually vacated the area.

The Great Migration into the MS Territory occurred in 2 great waves. The first (between 1798 and 1812) brought 35,000 people into the Territory. Problems with the Creek Indians, which began as tribal wars, spread into the American settlement and raged throughout the region in 1813 and 1814, ending only with Jackson's victory at Horseshoe Bend in March 1814. That opened the area to settlement. 



Most of Central and North Louisiana was settled after 1815, when MS became a state. Settlers came mainly through the MS Territory from the Carolinas. Those following the coastal plain route moved through Amite and Covington Counties in MS, thence north and crossed the MS River near Natchez. Others came through the more northerly route and crossed at Vicksburg. Except for those along major waterways, most were barely established before the Civil War. 

The really fine early Louisiana quilts I've seen were made in the Carolinas. I have two with provenance from 1870's from S.C. and I know two in Central Louisiana from 1850's with Alabama provenance. While there are exceptions, especially along the rivers, the Anglo parts of the state did not develop the large leisured class that tends to produce really fine quiltmaking such as one sees in parts of the Carolinas and Virginia.

Then came the Civil War, and many of those along rivers were destroyed or taken by troops of both sides. Families have many stories about those. In my family a fragment of a quilt from that period exists.

Another thing that I believe reduced the number of fine quilts in Anglo Louisiana was that the major occupation in much of that section was the forestry industry, which kept people on the move. St. Louis and Chicago investors swept through the pine woods, clean-cutting and then moving on.

As for early Arkansas quilts, their makers most likely came either from and through TN. That migration tended to come from the Middle-South.